Last week in Brussels, four surprising concerts marked the launching of Un-Pop Classik, a European music project, led by the FIB Heineken and gathering four bands, four orchestras and four major festivals to prove the old continent that pop and rock are not incompatible with classical music.
From the 27th of April to the 7th of May was held “Les Nuits du Botanique” -first of the four festivals composing the consortium of Un-Pop Classik.
The project premiered on the 2d of May. The respectively Belgian and French bands Venus and Dionysos, both accompanied by the Mons Orchestra, performed ten reworked songs of their repertory as a result of ten months of hard labor and long rehearsals.
On the 5th of May, followed concerts by Teitur, the Danish solo artist, and the Sunday Drivers, the Spanish band we chose to introduce you.
The most interesting fact is that the four artists had four distinct approaches to the concept of working with a symphonic orchestra.
Venus took advantage of the strength of the orchestra to add a touch of freejazz to its usual pop melodies. They performed a notable, neat and involving concert by altering solo acts and orchestrated performances.
Dionysos broke the mold and took us on a divine one-hour journey; proving they didn’t become the #1 pop/rock band in France out of the blue.
With musical arrangements reminding of Enio Morricone, a set taken straight from a Tim Burton movie and an attitude a la Sex Pistols, Dionysos achieved a miracle: they fused band and orchestras and made everybody jump, scream, dance… and also almost made us, the organizers, shed a tear of emotion as we witnessed the splendid result of our common work.
It’s hard to pick a special moment out of this concert knowing they were all powerful in their own different way… still, three must be pointed out:
- A mute pogo in which 1500 spectators bumped into each other without making a single sound.
- Mathias’ (lead singer) dive onto the crowd as the band was going hysterical onstage and the orchestra was –successfully- trying to keep up with the improvisation.
- The orchestra’s conductor thrown onto the public and carried by the first rows all the way to the other end of the sage where Mathias eventually agreed to pick him up.
Teitur gave an intimate concert and used the orchestra to enhance the power of the sweet melodies taken form his latest album. The 45 minutes of concert went flying by thanks to the artist’s charisma and wit and many great orchestral moments.
Last but not least, the Sunday Drivers, once more, demonstrated they are made for the stage and reached the climax of that series of concerts.
Not only did we get to dance to three major hits taken form their last album, Little Heart Attacks (in which the synthesizer was replaced by a cord-dominated orchestra) but we also were given the privilege to fall for five of the ten tracks that will compose the band’s next album currently being recorded in San Francisco.
Those who are familiar with the band’s music are going to be surprised by their new material and all we can say for now is that their music perfectly fits the spirit of Un-Pop Classik.
The Sunday Drivers’ concert was without a doubt the most motivating, harmonious and energizing of all-four concerts, and this being only with a 8-musicians orchestra… for the FIB, they will play along with 24 musicians, there is nothing more to say.